BIBLIOGRAPHY


SELECTED ARTICLES, REVIEWS, ESSAYS,  SMALL PRESS PUBLICATIONS, EZINES, REPRODUCTIONS OF WORK

Santa Monica’s Beach=Culture Launches a Summer of Fine Arts, The Look Out News, 5/5/11

Santa Monica Embraces the Easy and Uneasy Art of Considering Eden, The Look Out News, 4/5/11

Considering Eden (catalogue -2011) for exhibition at Annenberg Beach House, Santa Monica, Ca.

Onsets: paintings/digital prints (catalogue - 2006)

Drunken Boat, Issue 6, Spring 2004,   Two Brothers, (collaboration with Rod Moore)

Drunken Boat, Issue 1, Summer 2000, War Comics

Le recit non aristotelicien de la fin du xvii siecle au xx siecle- une poetique de l’incertitude, Helene Campaignolle-Catel (doctoral thesis: chapter C- hyperfiction:  L. Bloomfield, No Memory (pp 1-25, Universite Paris Vii-Denis Diderot), 2004

What Our Speech Disrupts, Feminism and Creative Writing Studies, K. Haake, NCTE, 2000, p. 193

Metro: A Sourcebook for Writing Creatively, Ostrom, Bishop, Haake. Experimental Forms and Less Familiar Modes: Figure 5.1 (Map/Index), 2000, Longman

"The Next Word: Text and/as Image and/as Design and/as Meaning," Johanna Drucker, Neuberger Museum, SUNY Purchase, 1998 (catalogue)

Contemporary Photoworks Incorporated (CPI journal--the Netherlands) Vol.1, No. 1, 1998, -- Cover illustration and feature article w/ reproductions "Lisa Bloomfield: Storytelling and Pattern Recognition," Edward Earle (new media curator, International Center for Photography (ICP , NY)

FIAT LUX: The Magazine of the University of California, Riverside, 1996, Online to the World. "Humanities on the Internet, a Whole New Way of Teaching," pp 6-7; "Photography Goes Cyber," p. 26.

Camerawork, A Journal of Photographic Arts, Fall/Winter '94, Twentieth Anniversary Issue: pp.26-27, San Francisco, CA. (Map/Index)

Artweek, Vol. 25, No 21, 11/3/94, p. 19, "To Tell the Truth," Devorah Knaff, w/reproduction

L.A. Style, Vol. 8, No. 11 April, 1993: color reproduction of billboard, p. 10

Artweek, Vol. 24, #6, 3/18 /93, p.20: Breaking the Rules - Lisa Bloomfield at UC Riverside, Pat Leddy (w/ reproduction- biography series)

The Press-Enterprise, Riverside, CA., 2/28/93, E2: "Some secret lives revealed," Devorah Knaff (w/reproduction)

Santa Barbara Review, Vol. 1, #1, Spring/Summer 1993, pp 60-61 (reproductions)

Framework, Vol. 6, Issue 1, 1993 pp. 42-43 (reproductions)

Whitewalls, A Journal of Language and Art, #31 (Chicago): "Culture, Identity and Colonialism," Chapter 6 (section 6: biographies)

Los Angeles Times (Orange County - Calendar Section), "Show Exhibits a Multiple Personality," Cathy Curtis, 2/3/92, p. F-1

"Photoworks by Ten American Artists," pp 9-15, catalogue, Konica Foundation, Amsterdam,

Foto - The Netherlands , V. 46, #3, 5/91, pp 58-89 Amsterdam  (from Motivation Series)

Framework, Vol. 4, #2, 1991, p. 11 (Los Angeles Center for Photographic Studies - reproductions)

The Archive 29, Center for Creative Photography, University of Arizona, Tucson, AZ: "A Portrait is not a Likeness," Su '91, pp. 30-31 (catalogue)

Artweek, Vol. 22, #11, 3/21/91: "The Perils of Belief," James Scarborough, pp. 10-11

Los Angeles Times, "Biennial I Launches a Tradition," Suzanne Muchnic, 9/22/9 p 4-5

Art Journal (College Art Association), Vol 49, #2, Su '90, pp 100-103 (featured artist -  reproductions)

California Museum of Photography (CMP) Bulletin, Vol 8, #3, p 16-17 (reproductions)

Top Stories,#28, 1989, New York, New York (small press - featured artist)

Contact Sheet #61, pp 7-9, Light Work Gallery, Syracuse, NY (reproductions)

Eye of the Mind, Mind of the Eye, , Presentation House, Vancouver, Canada  (catalogue)

Impulse, Vol 13, #4, Winter 1987 (Toronto, Canada), p 31-34 (featured artist -  reproductions)

SF Camerawork, Vol 13, #2/3, summer/fall 1986  (reproductions)

Artforum, February, 1986: "Image/Word," New Langton Arts, San Francisco, CA, Bill Berkson, p. 111

Image/Word, The Art of Reading, New Langton Arts, San Francisco, CA (1985) (catalogue)

Artpapers: The Arts in the Southeast, Vol 9, #1, Jan/Feb 1985: "Artists and Photographic Installations," Michael Kahan

Artweek, Vol 16, #10, March 12, 1985: "Pieces of an Exhibition," David Strauss

Artists and Photographic Installations,1708 E. Main, Richmond, VA (catalogue - 1984)

Image/Text, Franklin Furnace, New York, NY (catalogue 1984)

Artweek, Vol. 14, #39, Nov. 19, 1983: "A Show of Hands," Jim Hugunin (review of exhibition curated by Lisa Bloomfield/Rod Moore, "The Theater of Gesture at the Los Angeles Center for Photographic Studies)

Los Angeles Times, May 15, 1983: "On Photography: Lisa Bloomfield - Ongoing On-Ramp to Ingoing Trips," review:  Dinah Berland (Calendar Section, p. 99 - reproductions)

Artweek, Vol. 14, #21, May 28, 1983: Loaded Implications, John Brumfield (review with reproductions)

U-Turn ,Vol. l, #3, 1983: "The Visionary Journey" (featured artist and cover image; art journal)

Washington Post, Washington D.C., January 15, 1983: "Beyond the Single Frame," Jo Ann Lewis

Boston Globe, Boston, MA: December 12, 1982, "There's a Feast for the Eyes,"K. Wise

The Spectrum/Prodigal Sun, Buffalo, NY, November 19, 1982, "Art for the Eighties: CEPA and Hallwalls," Rachel Aveny

Afterimage, V10, Visual Studies Workshop, Rochester, NY: #5 December, 1982: reproduction, p. 22

Contemporary Photography as Phantasy, Santa Barbara Museum of Art (catalogue, Su' 82)

Impulse, Vol.10, #1, Summer 1982: pp 28-33, "Survey of False Sites and Complexes," Toronto, Canada (featured artist)

Obscura, Vol. 2, #3, June, 1982: "Survey of False Sites and Complexes," (Los Angeles Center for Photographic Studies, reproductions)

Scree, #19-21, 1981, Photography Issue: "Beach Narrative" (small press, featured artist)

Afterimage, Vol. 8, #5, Dec. 1980, Visual Studies Workshop, Rochester, NY : "Mocking Objects:   Lisa Bloomfield, Gillian Brown, Diane Buckler," Jim Hugunin - (essay with reproductions)

 

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>SELECTED EXHIBITIONS